Sergi Vilavella Font
Previous work
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Loss of individuality is not a new story. Nor is digital manipulation.
One of the most expensive photographs ever sold is Rhein II by German visual artist Andreas Gurfsky. Captured in 1999 in Düsseldorf, the photo shows the river Rhein in a digitally manipulated landscape. Almost every trace of human was erased.
Rhein IIIIIIIIIIIIIIIIIIIIIIII explores the opposite. How can digital manipulation not erase, nor minimize, but maximize the experience of an individual? How can the landscape be traced back to human?
